Radiohead, again. The title of the band’s song foreshadowed what was to come in the season one finale. Though there were no lyrics in this version of the hit, the line “I died a hundred times” makes this song feel fitting, considering that the madam has probaby experienced her own death considerably more than a handful of times. Later in the episode, but back in the saloon/brothel again, Maeve uses her new powers to control the bartender. The traditional folk song madef amous by the British band’s 1964 version plays in the background as Maeve watches - rather unhappily - as Clementine Version 2.0 works her wiles on a customer. Her devastation is punctuated by Vitamin String Quartet’s cover of the Kid A track. “Motion Picture Soundtrack,” Radiohead, as covered by Vitamin String Quartetīecause one Radiohead song per episode is not enough! Later in “The Adversary,” Maeve gets a tour of the facility and learns how she and the other hosts were created and developed. This episode kicked off with Maeve in the saloon as Radiohead’s aching hit played on the piano. Maybe “Closer” would’ve been a little too on the nose. The show made an interesting song choice by soundtracking the orgy in Pariah with NIN’s yearning, depressing deep cut from Pretty Hate Machine. “Something I Can Never Have,” Nine Inch Nails, as covered by Vitamin String Quartet Inside Westworld's Rock Covers (And What Chris Cornell Thought of That Soundgarden Sync)

“The opening arpeggiated riff from ‘No Surprises’ translates really well into piano,” Djawadi told Vulture of using the 1998 song from the band of admittedly paraoid androids. This was just the first of several orchestral takes of Radiohead’s songs for the HBO drama, appearing as Maeve’s technical glitches started appearing. “With ‘Paint It Black,’ you think, ‘Oh, that’s when Hector comes to town and there’s that big shootout,’” Djawadi told Pitchfork in 2016 of how the 1966 song evokes memories of specific scenes. This haunting take on the tune set the tone for Hector and Co.’s introduction and resulting fight scene.

“It perfectly fits the mood of the scene, and reveals a duality that has always existed in the song.” ”I loved Ramin Djawadi’s interpretation of ‘Black Hole Sun,’” Soundgarden’s late frontman Chris Cornell told Billboardin 2016. The Seattle band’s hit 1994 song was the first modern tune to get the Westworld treatment from the player piano in the saloon and brothel overseen by madam Maeve Millay (Thandie Newton). (Warning: If you’re not caught up on the show, there will be spoilers ahead.) Listen to the Chilling Guns N' Roses Instrumental in 'Westworld' Season 3 TrailerĬheck out all the ways the critically acclaimed sci-fi show has incorporated modern music into its episodes below.

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